{"id":1203,"date":"2024-04-06T16:05:52","date_gmt":"2024-04-06T14:05:52","guid":{"rendered":"https:\/\/www.apackdocumentary.com\/the-crew\/"},"modified":"2025-03-06T16:30:06","modified_gmt":"2025-03-06T14:30:06","slug":"the-crew","status":"publish","type":"page","link":"https:\/\/www.apackdocumentary.com\/en\/the-crew\/","title":{"rendered":"The Crew"},"content":{"rendered":"

[vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1713092665384{padding-top: 100px !important;padding-bottom: 100px !important;}” bg_color_value=”#ffffff”][vc_column offset=”vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-10″][vc_custom_heading text=”About working on the set” font_container=”tag:h2|text_align:center|color:%230a0a0a” use_theme_fonts=”yes” css=”.vc_custom_1713103265300{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text]<\/p>\n

In order to shoot the film, we switched to working at night. The dogs started their daily routine between 3.00 and 5.00 a.m., so we had to be ready to shoot even earlier than that.<\/span><\/p>\n

We could take part in the dogs\u2019 training sessions as long as we kept our emotions balanced since working dogs are heavily influenced by the emotions of the people who stay in their proximity. The more these emotions are hidden or suppressed, the more they are distracting.<\/span><\/p>\n

During the training session we always wore the same jackets in order to wear only the scents of this particular pack of dogs.<\/span><\/p>\n

We had to totally eliminate the expression \u201eOK\u201d from our communications, as every dog in the pack understands OK as a command to start running.<\/span><\/p>\n

We did not touch the dogs as they were practicing, although it was really difficult to refrain from doing that.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” bg_type=”image” parallax_style=”vcpb-vz-jquery” bg_image_new=”id^828|url^https:\/\/www.apackdocumentary.com\/wp-content\/uploads\/2024\/04\/02_czlonkowie_zespolu.jpeg|caption^null|alt^null|title^02_Czlonkowie_zespolu|description^null” bg_image_repeat=”no-repeat” css=”.vc_custom_1713166752993{padding-top: 300px !important;padding-bottom: 300px !important;}”][vc_column offset=”vc_col-lg-offset-2 vc_col-lg-8″][vc_custom_heading text=”Members of the crew” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1713103005531{padding-top: 30px !important;padding-bottom: 30px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1713885014123{padding-top: 100px !important;padding-bottom: 50px !important;}” bg_color_value=”#ffffff”][vc_column offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-10″][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”834″ img_size=”370×290″ alignment=”center”][vc_btn title=”Page” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fwww.dianaaszyk.com|target:_blank|” css=”.vc_custom_1713900169627{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Diana Aszyk” font_container=”tag:h3|text_align:left|color:%230a0a0a” use_theme_fonts=”yes”][vc_column_text]director, screenwriter and producer of A Pack<\/em>.<\/span><\/p>\n

She has been working in documentary film for over 13 years, and this is her fifth original project.<\/p>\n

\u2018This project was an almost metaphysical experience for me. Working on it allowed me to feel – like never before – that something exists, but then it doesn\u2019t. I looked to dogs for some kind of support, but they always seemed to exist here and now, unresponsive to what had happened the day before and without any expectations about the future. There\u2019s a long way ahead of me in order to achieve this state of mind, but at least I could see what it looks like with my own eyes.\u2019<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”829″ img_size=”370×290″ alignment=”center”][vc_btn title=”Film polski” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Ffilmpolski.pl%2Ffp%2Findex.php%3Fosoba%3D1147615|target:_blank|” css=”.vc_custom_1713900553486{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”S\u0142awomir Berga\u0144ski” font_container=”tag:h3|text_align:left|color:%230a0a0a” use_theme_fonts=”yes”][vc_column_text]director of photography of A Pack<\/em>.<\/span><\/p>\n

He graduated from Lodz Film School. He is a DoP of feature films, documentaries, stage performances, music videos and ads. He is also successful as a screenwriter and director.<\/p>\n

“While shooting the film, I often asked myself the question: how to become an element of the ecosystem which I was observing, without disturbing its integrity<\/em>? On the set I noticed that our dogs responded almost exclusively to what concerned them directly at a given moment. They were always alert to the present. I decided to do what they were doing, and learn to be in the present moment for as long as I could. In this way, with time I became almost invisible to them.”<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”835″ img_size=”370×290″ alignment=”center”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Rados\u0142aw Ekwi\u0144ski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]lead consultant for the film A Pack<\/em>.<\/span><\/p>\n

One of the best dog behaviorists in Poland. He has been an active member of the sleddog sports community since 1997. He co-founded Warsaw Musher Club INUIT and took part in European Championships and World Championships with his team of Alaskan malamutes. He has been the main judge and organizer of sleddog races, for instance, the transborder stage race called Border Rush in Jakuszycka Polana. He has also been a dog coaching instructor and a TV expert.<\/p>\n

\u2018The possibility of working on this film was a journey into an unknown territory for me, although I know so much about sled dogs… At the end of this process I found the truth. And I was filled with gratitude. To people. And to dogs.\u2019<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”830″ img_size=”370×290″ alignment=”center”][vc_btn title=”Film Polski” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Ffilmpolski.pl%2Ffp%2Findex.php%3Fosoba%3D11112308|target:_blank|” css=”.vc_custom_1713900562003{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Rafa\u0142 St\u00f3s” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]editor and co-producer of the film A Pack<\/em>.<\/span><\/p>\n

He is an editor with over 10 years of experience in editing feature films, documentaries, and commercials.<\/p>\n

“For me working on this project was connected with discovering the world which I thought existed far away, in Alaska and other snowy places in the world, not in small town near Warsaw.
\nIt was a joyful and stress-free play, with the exception of one situation when the Lady Director drove me away from Warsaw and told me to walk right inside a large pack of excited dogs…\u2019<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”1080″ img_size=”370×290″ alignment=”center”][vc_btn title=”Addicted To Music” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fwww.addictedtomusic.eu%2F|target:_blank|” css=”.vc_custom_1713900590644{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Marek Walaszek” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]sound designer and co-producer of A Pack<\/em>.<\/span><\/p>\n

He is a music producer, DJ and a sound engineer.<\/p>\n

\u2018This film has been a unique challenge, because practically no words in the human language are spoken here. Therefore, sound itself is of paramount importance, as it is essential in communicating with the viewers and helping them journey as the story unfolds.\u2019<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”1419″ img_size=”370×290″ alignment=”center”][vc_btn title=”Instagram” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fwww.instagram.com%2Ferr_bits%2Fprofilecard%2F%3Figsh%3DN3Z2eDI5cmhsOHM%253D|target:_blank” css=”.vc_custom_1730304157746{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Jan Szarecki” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]known as ERRBITS, original music composer for the film A Pack<\/em>.<\/span><\/p>\n

He’s a versatile music producer specializing in rap, pop, and metal. With a background in classical violin (graduate of a secondary music school), he\u2019s crafted sounds for top artists across genres, but this marks his debut in film scoring, diving into the world of cinematic music.<\/p>\n

‘Working on this film was profoundly emotional, like a journey through my own subconscious. It was fascinating\u2014and challenging\u2014to see different narratives, symbols, and memories come together in ways I couldn\u2019t have anticipated. Each step of the process unlocked new layers, merging story and sound into something deeply personal. It was more than just a project; it felt like a glimpse into my own psyche.’<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775475082{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”833″ img_size=”370×290″ alignment=”center”][vc_btn title=”ColorPRO” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fwww.colorpro.pl|target:_blank|” css=”.vc_custom_1715029149556{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Jarek Sterczewski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]color grading for the film A Pack<\/em>.<\/span><\/p>\n

A color grader who has been dealing with color grading for almost two decades. He lectures in Lodz Film School. He color graded many feature films, documentaries, commercials, and TV serials and series.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775396648{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”836″ img_size=”370×290″ alignment=”center”][vc_btn title=”Eliza & Piotr” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Fwww.piotrborkowski.com%2F|target:_blank|” css=”.vc_custom_1713900624057{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Piotr Borkowski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]script consultant for the film A Pack<\/em>. He is a screenwriter and a lecturer.<\/span><\/p>\n

As a screenwriter he collaborated with, for example, Bartosz Konopka, Marta Minorowicz, Krzysztof Krauze and Joanna Kos-Krauze, and Pawe\u0142 Pawlikowski. He worked on the screenplay of Pawe\u0142 Pawlikowski\u2019s Cold War (2018), which received, among others, 3 \u00a9Oscar\u00ae nomination, European Film Academy award and a nomination to BAFTA.<\/p>\n

\u2018After thirty years of taking care of my pet dogs I can see every day how limited our contact with them is, so I\u2019m always curious to know how we could transcend these limitations. In my opinion, The Pack presents one of the paths to a fuller contact between humans and animals. This film reveals the facet of human nature which seems underappreciated today, but which can prove indispensable for healthy and balanced functioning of humans in the future.\u2019<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1686775396648{margin-top: 60px !important;margin-bottom: 60px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”1183″ img_size=”370×290″ alignment=”center”][vc_btn title=”Klaudia” style=”outline-custom” outline_custom_color=”#666666″ outline_custom_hover_background=”#666666″ outline_custom_hover_text=”#ffffff” shape=”square” align=”center” button_block=”true” link=”url:https%3A%2F%2Flinktr.ee%2Fklaudiamakowska|target:_blank|” css=”.vc_custom_1715029288849{margin-top: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading text=”Klaudia Makowska” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]responsible for the graphic design of the film A Pack<\/em>.<\/span><\/p>\n

She\u2019s is a visual artist and filmmaker, interested in telling stories through images. She experiments with various styles and techniques, looking for the right forms of expression for her artistic ideas.<\/p>\n

“While working on this film, I started to pay more attention to dogs than ever before. I observed with interest various dogs: those dwelling in the city \u2013 dressed up in dogs\u2019 clothes and inhaling car fumes \u2013 as well as dogs patrolling their estates, working dogs, and stray dogs. Dogs moved from the background to the foreground of my perception and became protagonists of many situations. I started to ponder how I can nurture the bond with my own pet dog more consciously.”<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1713900737544{padding-bottom: 100px !important;}” bg_color_value=”#ffffff”][vc_column][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884770965{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Mateusz G\u0142owacki” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]on-set sound designer<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884778145{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Patrycja Krysik” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]sound design<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884783750{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Adam Mrozek” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]focus puller<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884922550{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Robert \u201eFrodo\u201d Doma\u0144ski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]camera assistant<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884929076{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Piotr \u017burawski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]second operator<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884934577{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Aliaksandra Kuzniatsova” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]second operator<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884939664{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Przemys\u0142aw Kulikowski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]second operator<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713884946703{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Micha\u0142 Surma” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]line cam,<\/span><\/p>\n

aerial cinematography<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885101986{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Rados\u0142aw Faruga” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]line cam, aerial cinematography, Film Force<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885110181{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Filip Jurzyk” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]special photography, Motion Unit<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885118100{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Jaroslav Zem\u00e1nek” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]precision driver<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885125388{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Daniel Kleser” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]precision driver<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885141202{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Petr Fi\u0161mistr” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]on-set driver<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885147005{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Jaroslav Pan\u010docha” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]on-set driver<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885153037{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Karolina Tereba” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]production<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885158834{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Kamil
\nBladowski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]lawyer, <\/span><\/p>\n

Kancelaria Prawna KLB<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885164753{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Krzysztof Godziejewski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]film equipment, Fastmedia<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885170069{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Artur Orze\u0142” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]film equipment, <\/span><\/p>\n

Haasta Sp. z o.o.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885208275{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Monika \u017buczkowska” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]insurance<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885164753{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Micha\u0142 Bagi\u0144ski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]Atmos sound, <\/span><\/p>\n

UNIVERSUS Studio\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1713885170069{padding-top: 40px !important;padding-bottom: 40px !important;}”][vc_custom_heading text=”Adrian Topczewski” font_container=”tag:h3|text_align:left|color:%23000000″ use_theme_fonts=”yes”][vc_column_text]Dolby Atmos technician,\u00a0<\/span><\/p>\n

UNIVERSUS Studio\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1713092665384{padding-top: 100px !important;padding-bottom: 100px !important;}” bg_color_value=”#ffffff”][vc_column offset=”vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-10″][vc_custom_heading text=”About working on the set” font_container=”tag:h2|text_align:center|color:%230a0a0a” use_theme_fonts=”yes” css=”.vc_custom_1713103265300{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text] In order to shoot the film, we switched to working at night. The dogs started their daily routine between 3.00 and 5.00 a.m., so we had to be ready to shoot […]<\/p>\n","protected":false},"author":1,"featured_media":1106,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-1203","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nThe Crew - A Pack<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.apackdocumentary.com\/en\/the-crew\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Crew - A Pack\" \/>\n<meta property=\"og:description\" content=\"[vc_row full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1713092665384{padding-top: 100px !important;padding-bottom: 100px !important;}” bg_color_value=”#ffffff”][vc_column offset=”vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-10″][vc_custom_heading text=”About working on the set” font_container=”tag:h2|text_align:center|color:%230a0a0a” use_theme_fonts=”yes” css=”.vc_custom_1713103265300{padding-top: 30px !important;padding-bottom: 30px !important;}”][vc_column_text] In order to shoot the film, we switched to working at night. 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